![]() A typical high dynamic range situation: the outside is in bright sunlight, the interior only lighted by the open barn door. This one was taken from inside an old barn located in a museum village in Bavaria. Let’s look at a typical picture as an example. It goes from zero (low separation of the effects and strong side effects on mid tones) to 100% (only the outmost dark and light areas are affected, no side effects on mid tones). The fourth parameter “compress” determines in how far the effects are concentrated to the extreme shadows and highlights. “Radius” has a similar meaning as in lowpass/blend it controls the spatial extent of the effect. The latter is roughly equivalent to a four times stronger lightening/darkening as the old method. Sliders “shadows” and “highlights” determine the strength of adjustments and go from zero (no effect) to a maximum of 200%. The module offers four sliders to control the effect. It’s at the same time more powerful and more convenient to use than the lowpass/blend approach. ![]() In between a new, even better module called “shadows and highlights” was integrated into darktable, that obsoletes this technique.Īs the name implies the new module serves to improve images by lightening shadows and darkening highlights. Some days ago I wrote an article on how to recover shadows with a technique using lowpass filter plus blend mode (" Even if they are exposed properly with no blown-out highlights they will too often only give acceptable results after extensive post-processing.įortunately, darktable is progressing with a high pace. ![]() ![]() Scenes with strong differences between highlights and shadows are very difficult to capture. One of the remaining shortcomings of digital cameras is their rather low dynamic range in comparison to analog – especially black-and-white – film. ![]()
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